Taken from Weyes Blood‘s upcoming album “Front Row Seat To Earth”, available October 21st via Mexican Summer.
The being behind Weyes Blood, Natalie Mering, together with co-producer Chris Cohen and some special guests, contrasts live band intimacy with the post-modern electric sheen of A.M. radio atmospherics. The experimental flourishes of “Front Row Seat To Earth” sparkle amid the succinct, thoughtful arrangements.
Though Natalie Mering, who performs and records as Weyes Blood, chose to distort her project’s name (giving “Wise” an appropriately outré, olde feel) with a nod to the ocular (w’eyes), her entire output thus far has been an exercise in exploring the atemporal. She is a musician, a singer, after all, but the particular process of Weyes Blood’s development, and Mering’s experimentation with everything from early 2000s local-noise-scene strangeness to her present mastery of timeless balladry, highlight her as an meticulous sonic alchemist.
Active in underground music since 2006, Natalie Mering has collaborated with a slew of strange birds including Jackie-O Motherfucker and Ariel Pink. She’s released four records as Weyes Blood.